Tue, 08.09.2026
«Carmina Latina» Erasmus Sounds! – Festival Lab
Concert title
«Carmina Latina» Erasmus sounds! – Festival Lab
Date
Tue 08.09.2026
Start of the concert
20:00
Contributors
Name of the ensemble
CAPPELLA MEDITERRANEA
CHŒUR DE CHAMBRE DE NAMUR
CHŒUR DE CHAMBRE DE NAMUR
Line
LEONARDO GARCÍA ALARCÓN
Soloists
LEONARDO GARCÍA ALARCÓN Harpsichord and conductor
MARIANA FLORES Soprano
LEANDRO MARZIOTTE Countertenor
VALERIO CONTALDO Tenor
MATTEO BELLOTTO Bass
ALAIN CLAUDE SULZER Reading
MARIANA FLORES Soprano
LEANDRO MARZIOTTE Countertenor
VALERIO CONTALDO Tenor
MATTEO BELLOTTO Bass
ALAIN CLAUDE SULZER Reading
program
The Cappella Mediterranea, Chœur de chambre Namur, and Leonardo García-Alarcón present sacred and secular music by colonial composers of Baroque Latin America.
Leonardo
García-Alarcón's musical journey leads from the polyphony of the Iberian Peninsula to the sacred music of Latin America. He introduces Spanish and Portuguese composers who set out to conquer the New World. There, they drew inspiration from local traditions to create a form of sacred music that is at once joyful, profound, and triumphant.
CAPPELLA MEDITERRANEA
CHŒUR DE CHAMBRE DE NAMUR
LEONARDO GARCÍA ALARCÓN Harpsichord and direction
MARIANA FLORES Soprano
LEANDRO MARZIOTTE Countertenor
VALERIO CONTALDO Tenor
MATTEO BELLOTTO Bass
ALAIN CLAUDE SULZER Reading
Anonyme
Hanacpachap
Tomás Luis de Victoria (ca. 1548–1611)
Salve Regina
Gaspar Fernández (ca. 1570–1629)
A Belén me llego Tio
Tomás de Torrejón y Velasco (1644–1728)
Desvelado dueño mio
Francisco Valls (1665/1671–1747)
Esta Vez, Cupidillo
Juan de Araujo (1646–1712)
Vaya de gira
Francisco Correa de Araujo (1584–1654)
Canto Llano de la Inmaculada conception
Magnificat
Mateo Romero (ca. 1575–1647)
Romerico florido
Mateo Flecha (1481–1553)
La Bomba
Juan de Araujo (1646–1712)
Salve Regina
Tomás de Torrejón y Velasco (1644–1728)
A éste Sol peregrino
Diego José de Salazar (ca. 1659–1709)
Salga el torillo hosquillo
Category 1: CHF 85.00
Category 2: CHF 65.00
Category 3: CHF 45.00
Leonardo
García-Alarcón's musical journey leads from the polyphony of the Iberian Peninsula to the sacred music of Latin America. He introduces Spanish and Portuguese composers who set out to conquer the New World. There, they drew inspiration from local traditions to create a form of sacred music that is at once joyful, profound, and triumphant.
CAPPELLA MEDITERRANEA
CHŒUR DE CHAMBRE DE NAMUR
LEONARDO GARCÍA ALARCÓN Harpsichord and direction
MARIANA FLORES Soprano
LEANDRO MARZIOTTE Countertenor
VALERIO CONTALDO Tenor
MATTEO BELLOTTO Bass
ALAIN CLAUDE SULZER Reading
Anonyme
Hanacpachap
Tomás Luis de Victoria (ca. 1548–1611)
Salve Regina
Gaspar Fernández (ca. 1570–1629)
A Belén me llego Tio
Tomás de Torrejón y Velasco (1644–1728)
Desvelado dueño mio
Francisco Valls (1665/1671–1747)
Esta Vez, Cupidillo
Juan de Araujo (1646–1712)
Vaya de gira
Francisco Correa de Araujo (1584–1654)
Canto Llano de la Inmaculada conception
Magnificat
Mateo Romero (ca. 1575–1647)
Romerico florido
Mateo Flecha (1481–1553)
La Bomba
Juan de Araujo (1646–1712)
Salve Regina
Tomás de Torrejón y Velasco (1644–1728)
A éste Sol peregrino
Diego José de Salazar (ca. 1659–1709)
Salga el torillo hosquillo
Category 1: CHF 85.00
Category 2: CHF 65.00
Category 3: CHF 45.00
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Ticket outlets in Basel
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